Tuesday, July 29, 2008

RoosterFlix DVD Picks for July 29th



I'm going to make some different posts this week, I swear...



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Shine a Light (2008)
dir. Martin Scorsese

I must've planned to see this 5 or 6 times while it was in theaters, but somehow I never made it. I'm looking forward to checking it out, although I'm not quite sure if I want to blind-buy....it seems like such an obvious winner, though.

Product Decsription:
Martin Scorsese leaps into the madness of the Rolling Stones’ organization in Shine a Light, barely controlling (in a most entertaining way) a documentary that culminates in the Stones’ best concert on film. The movie’s highly entertaining, pre-performance prologue finds a frazzled Scorsese trying to get a clue about the band’s plans for a very special New York City date in 2006, a benefit hosted by Bill and Hillary Clinton. While Mick Jagger quibbles over concepts for the stage’s set and peruses lists of possible songs to include in the show, Scorsese tries to figure out how to shoot something for which he has few production details. Everything falls into place eventually, and after an extraordinary meet-and-greet scene in which Jagger, Keith Richards, Ron Wood, and Charlie Watts catch up with the Clintons and sweetly introduce themselves to Hillary’s mom, the Stones launch into a set that leans less heavily than usual on their greatest hits canon. Longtime fans are sure to appreciate the wealth of generally-untapped material from Let It Bleed ("You Got the Silver," "Live With Me"), Exile On Main Street ("All Down the Line," "Loving Cup"), and Some Girls ("Faraway Eyes," "Just My Imagination"). Jack White, Christina Aguilera, and Buddy Guy are on hand for memorable collaborations, but the Stones all alone are truly on fire in the relatively intimate setting of a small theater. Among the highlights is a sexy and even thrilling call-and-response between Jagger and ace backup singer Lisa Fischer on "She Was Hot," Richards’ gracious and expansive solo on "Connection," and Jagger’s witty take on "Some Girls" (which manages to skip over the controversial verse about "black girls"). Throughout the show, Scorsese and an army of camera operators cover the action from every conceivable angle, which results not so much in another hyperkinetic concert film but rather in the kind of graceful, flattering portrayal of a great band that the director mastered with The Last Waltz.

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Dark City (Director's Cut) (1998)
dir. Alex Proyas

One of the best sci-fi movies of the 90's, or probably ever. Everyone involved is at the top of their game, which, considering the cast, says a ton. This movie makes me wish Rufus Sewell was cast in more leading roles. This is by far Alex Proyas's best movie, and if he really is in talks to direct a Silver Surfer movie, then I can't wait.

Product Decsription:
Upon awakening with a start in an icy bathtub in a strange room--with a woman's dead body inconveniently nearby--John Murdoch can't remember how he got there. With a police detective hot on his trail and a psychiatrist skulking around, Murdoch discovers that the key to his mystery is the presence of strange extraterrestrial creatures, the Strangers, who are experimenting with the memories of the humans in his city--from which there may be no escape. Ambitious sci-fi noir, with rich production design and a dense, Kafkaesque concept, made DARK CITY a cult classic.

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Inglorious Bastards (3-Disc Special Edition) (1977)
dir. Enzo G. Castellari

Now that Quinten Tarantino finally finished his script for the "remake" and is looking for a buyer, this 3-disc set probably couldn't have come out at a better time. My only wish is that it was being released under its alternate title, "G.I. Bro" (ahahahahah)

Product Decsription:
"Whatever THE DIRTY DOZEN did," screamed the ads, "they do it dirtier!" INGLORIOUS BASTARDS is more than just the inspiration for Quentin Tarantino's long-rumored next movie; this 1978 international smash remains perhaps the biggest and most badass war movie in EuroCult history! Exploitation legends Fred 'The Hammer' Williamson and Bo (WALKING TALL, KILL BILL) Svenson star as the leaders of a gang of condemned criminals who escape from an Allied prison camp with a plan to blast their way to the Swiss border, only to find themselves 'volunteering' for a suicide mission deep inside Nazi occupied France. Academy Award(r) nominee Ian Bannen (FLIGHT OF THE PHOENIX, BRAVEHEART) co-stars in this explosive action epic from director Enzo Castellari (STREET LAW, THE BIG RACKET), now fully restored from original vault elements for the first time ever in America!

DVD Features:
Quentin Tarantino and Enzo Castellari in Conversation" - An all-new featurette with the two legendary directors
"Train-Kept-A-Rollin'" - Documentary with Director Enzo Castellari, Stars Fred Williamson, Bo Svenson and Massimo Vanni, Special Effects Artist Gino de Rossi, Producer Roberto Sbarigia, Screenwriter Laura Toscano and Filippo De Masi
"Back to the War Zone" - Locations feturette with Director Enzo Castellari and Special Effects Artist Gino de Rossi
U.S., Italian and German Theatrical Trailers
Audio Commentary with Director Enzo Castellari
Bonus Soundtrack CD containing the previously unreleased score of INGLORIOUS BASTARDS
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Harold and Kumar Escape From Guantanamo Bay (Unrated Two-Disc Special Edition) (2008)
dir. Jon Hurwitz, Hayden Schlossberg

I didn't expect much from the first Harold & Kumar, but I ended up really liking it. I didn't expect much from this one either, but the results weren't as enjoyable. This movie definitely had it moments, especially emo-Harold and Christopher Meloni's grand wizard.

Product Decsription:
Beginning precisely where Harold & Kumar Go to White Castle left off, Harold & Kumar Escape from Guantanamo Bay takes the film franchise in a more boorish and spuriously topical direction. Harold (John Cho) and Kumar (Kal Penn) take an ill-fated flight to Amsterdam, during which Kumar's suspicious-looking bong is mistaken for a bomb. Their arrest prompts a wild-eyed, racist Homeland Security nut (Rob Corddry) to send the boys to indefinite lockup at Guantanamo Bay, where beefy guards sexually subjugate "enemy combatants." The duo manage to get away and make it back to the U.S., hoping the well-connected fiance (Eric Winter) of Kumar's old girlfriend, Vanessa (Danneel Harris), can get them out of their mess. During a dangerous and grotesque odyssey to Texas (where Vanessa is marrying her rich and vain boyfriend, much to Kumar's dismay), Harold and Kumar have episodic encounters with the Ku Klux Klan, a one-eyed, inbred monster, and old friend Neil Patrick Harris (as himself), who swallows fistfuls of magic mushrooms and drags the boys to a brothel stop that goes terribly wrong.
The desultory comedy strikes a lowbrow tone from its opening scene (Harold takes a shower while Kumar has a diarrhea attack) and doesn't get much more interesting than that. If there's a bodily fluid that doesn't rate a joke in Guantanamo Bay, it doesn't exist. The persistent sight gags about weed (including a smoky visit with President Bush) never reach the kind of giddy pitch that pot humor requires, leaving a lot of the film's comedy just hanging like dead space. The sequel's attempt to say something, albeit in a gross way, about the state of the country during the Bush years is obvious and empty. Really, there isn't a lot of reason for Guantanamo Bay to have been made, except to print money. --Tom Keogh


DVD Features:
2 Audio Commentaries
interactive Dude, Change The Movie! option
trailers
featurettes
deleted scenes
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Doomsday (Unrated Widescreen Edition) (2008)
dir. Neil Marshall

I enjoyed Neil Marshall's last movie (The Descent) and I'll watch anything with Bob Hoskins, so I'll probably check this out soon.

Product Decsription:
Loud, violent, and proudly derivative, the post-apocalyptic action-thriller Doomsday is the latest from UK cult director Neil Marshall, who impressed horror fans with his previous efforts, Dog Soldiers and The Descent. Both pictures established Marshall as a director with a knack for reinventing well-worn genre pictures, but here, he seems more interested in stitching together favorite scenes and elements from established horror and science-fiction films. Escape from New York is the main source for Doomsday, though there are plenty of nods to The Road Warrior and its multitude of Italian-made carbon copies, as well as the zombie/plague subgenre; the lovely but impassive Rhona Mitra is the Snake Plissken-esque loner sent by police (represented by Bob Hoskins) to infiltrate Scotland, which has descended into anarchy following a viral outbreak. The disease has surfaced in London (now a walled city), and Mitra is dispatched to find a scientist who may possess a cure. Marshall's vision of Scotland in ruins brings together the punk/modern primitive costume design of George Miller's Mad Max trilogy with some eclectic homegrown elements (knights on horseback defending a gang leader's castle), and while these touches are novel, the picture as a whole should ring overly familiar to any viewer who's spent time in the exploitation trenches during the past 25 years. Younger and less discerning audience members will undoubtedly enjoy the plentiful violence and gore, as well as the unbridled performances of the supporting cast, especially stuntwoman/actress Lee-Ann Liebenberg as the heavily tattooed Viper.

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Lost Boys: The Tribe (2008)
dir. P.J. Pesce

Really? Someone thought this was a good idea? Well, let's try and list some of the positives...umm.....Keifer Sutherland's half-brother Angus is in it, and the 2 Corey's are back (can't decide if this is good or bad. Probably bad.).

Product Decsription:
Risking everything in search of the ultimate rush is fun when you know you can't die. Angus Sutherland, taking up where brother Kiefer left off in the original cult favorite, is the lead vampire in this modern reimagining of The Lost Boys. The seaside village of Luna Bay is rife with outcasts and plagued by an outbreak of missing persons. As the sun sets, the Tribe rises: a group of adrenalin-fueled, thrill-crazed vampires tears up the surf and the streets with nonstop action. But when a champion surfer (Tad Hilgenbrinck) and his sister (Autumn Reeser) move in, dark secrets erupt into hot-blooded passion and full-blooded fear. Helping fight the forces of hell: Corey Feldman in his signature role of vampire hunter Edgar Frog. Once you join the Tribe, there's no turning back.

DVD Features:
3 Yeah Whatever Music Videos: Downfall, Hell Is Full, & It's Over Now
All-New Remix Music Video Of Cry Little Sister By G Tom Mac
Alternate Endings
Audio: English Dolby Digital 5.1 Surround Sound
Featurettes: Lost Boys - The Tribe - Action Junkies, & Edgar Frog's Guide To Coming Back Alive
Includes Both Widescreen & Full Screen Versions Of The Film!
Interactive Menus
Scene Selection
Subtitles: English, French, Spanish
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Tai Chi Master (1993)
dir. Yuen Woo Ping

I know this movie as Twin Warriors, and I also know it as totally kick-ass. You can't fuck with Woo-Ping.

Product Decsription:
A pair of lifelong friends are expelled from their Shaolin temple after being accused of cheating. Tienbao becomes a powerful and oppressive military leader while the other, Junbao, (Li) joins the rebels. Only the discipline of Tai Chi can help Junbao defeat his former friend. Includes some of the most spectacular martial arts fight scenes ever filmed, including a huge finale with a cast of thousands.

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Challenge of The Masters (1978)
dir. Liu Chia-Liang

Product Decsription:
Wong Fei-hung (Gordon Liu THE 36th CHAMBER OF SHAOLIN) tries to gain entry into his father's martial arts school but is deemed too immature to handle it. Eventually a revered master (Chen Kuan Tai HEROES TWO) agrees to train him. After hearing of a friend's murder Fei-hung kicks his training into high gear in order to take on the killer (director Lau Kar Leung DRUNKEN MASTER 2).Along with Director Lau's extraordinary choreography CHALLENGE OF THE MASTERS boasts a moral depth rarely seen in kung fu movies of the time. Fei-hung takes both a physical and spiritual journey finding strength maturity and even compassion on his path to vengeance.

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The Band's Visit (2007)
dir. Eran Kolirin

Product Decsription:
Can movies change the world? In a word, no. But Israeli writer and director Eran Kolirin's utterly charming and engaging The Band's Visit suggests that if we could somehow put aside the politics and the religion, stifle the governments and the rhetoric, and mix in a little Gershwin, maybe even people with a history of cross-cultural suspicion and hostility really can get along. Not that the film has such pretensions--far from it. This is a simple tale involving a group of Egyptian musicians, the Alexandria Police Ceremonial Orchestra, who arrive in Israel for a concert. Things don't go well; there's no one to meet them at the airport, and they mistakenly end up in a small, drab desert town called Bet Hatikva, a place whose own residents refer to it as "bloody nowhere." But the people, especially café owner Dina (a marvelous performance by Ronit Elkabetz), are friendly and welcoming, and when they urge the band members to stay overnight before heading to their proper destination the next day, strait-laced leader Tewfiq (Sasson Gabai) finally relents. What follows is a series of plain but lovely scenes, as the Egyptians and Israelis (speaking English, their common language) tentatively search for common ground. Khaled (Saleh Bakri), the ladies man of the group ("Do you like Chet Baker?" is his favorite pick-up line), accompanies two young couples to a roller rink, where he comically helps the painfully timid Papi (Shlomi Avraham) connect with his date; meanwhile, the dignified but taciturn Tewfiq gradually warms to Dina's manifest charms, and the other musicians share a rousing chorus of "Summertime" with their Israeli hosts. The Band's Visit is filled with moments of humor, tenderness, tension, sadness, regret, and, as one character puts it, "tons of loneliness," every one of them delivered without the slightest bit of pretension or manipulation (not to mention political or religious overtones). And when, at the end, we finally hear the Orchestra perform, we only wish we could spend more time with all of these delightful characters. --Sam Graham

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Cocaine Cowboys 2 - Hustlin' With The Godmother (2008)
dir. Billy Corben

Product Decsription:
This sequel to 2006's phenomenal documentary on Miami's cocaine economy takes the action to Oakland in the 1990s. When Charles Cosby writes a letter to the imprisoned Griselda Blanco (the terrifying "Cocaine Godmother" seen in the first film), the street-level dealer is quickly set on the fast track, becoming Griselda's lover and eventually raking in millions of dollars in the drug trade. But can Charles survive a jealous woman who's known for violently dispatching with her men as soon as they lose their usefulness?

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Centennial: The Complete Series (1978)
dir. n/a

Product Decsription:
A remarkably ambitious and engrossing project, this 1978 television miniseries ran 26-and-a-half hours, cost a then-enormous $25 million, and involved 4 directors, 5 cinematographers, and somewhere in the neighborhood of 100 speaking parts. Based on James Michener's panoramic bestseller about the settling of the American West--as reflected in the history of a fictional town called Centennial, Colorado--the story begins in the late 18th century and ends with a typical 20th century conflict over land usage. Centennial, however, largely concentrates on various memorable frontiersmen, trappers, Indians, ranchers, cowboys, and farmers from long ago. Richard Chamberlain shines as the pioneer Alexander McKeag, Robert Conrad does some of his best work as French-Canadian Pasquinel, and performances by Alex Karras, Chad Everett, Sally Kellerman, Raymond Burr, Richard Crenna, David Janssen, and Dennis Weaver effectively add to a tapestry of adventure, tragedy, violence, and dubious Western progress. Produced at a time when TV networks were in the throes of acknowledging America's history of racial injustice, the program paints a starkly villainous portrait of opportunists exploiting and destroying Indians in the name of manifest destiny. While the project's great length might make one wary of diving in, Centennial is the sort of carefully paced drama that makes one care about the intertwined destinies of unique characters and how they illuminate America's past. --Tom Keogh

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Extasis (1996)
dir. Mariano Barroso

Might signal the start of the Javier Bardem import season.

Product Decsription:
Gripping and intense this unusual tale of seduction stars Oscar(r)Winner JAVIER BARDEM in one of his earliest films. Rober (BARDEM) areckless 25-year-old concocts an outrageous scheme with friend Max(DANIEL GUZMAN) and girlfriend Lola (SILVIA MUNT) - they will robtheir families and flee their hometown. When Max is arrested during oneof the robberies Rober impersonates him and successfully dupesMax's estranged wealthy father (FEDERICO LUPPI) into giving them bailmoney. But the trio's plan goes awry when Rober refuses to give uphis luxurious new life putting all of them at risk...

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Tyrone Power Matinee Idol Collection
MOVIES INCLUDE:
Cafe Metropole (1937)
Girls' Dormitory (1936)
Johnny Apollo (1940)
Daytime Wife (1939)
Luck of the Irish (1948)
I'll Never Forget You (1951)
That Wonderful Urge (1948)
Love Is News (1937)
This Above All (1942)
Second Honeymoon (1937)

How awesome would it be to be named Tyrone Power? Too bad he died of a heartattack in his mid-forties. He starred in the classics Witness for the Prosecution and Nightmare Alley. This is a collection of some of his lesser known movies, spanning 15 years.

Product Decsription:
A new collection of 10 features new to DVD starring Fox's biggest heart-throb Tyrone Power.This FIVE disc collection of NEW TO DVD double-features and new VAM about Hollywood s most handsome leading man.

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The Cool School (2007)
dir. Morgan Neville

Product Decsription:
This documentary explores the embryonic L.A. art scene in the 1950s and '60s. It focuses on the Ferus Gallery, which helped bring together a group of visionary artists who were soon catapulted into national stars. Interviews and vintage footage fill out this story of competitive artists--such as Ed Kienholz, Wallace Berman, and Ed Moses--and the influence of money and fame. Chiming in to share their thoughts on the period are Dean Stockwell, Dennis Hopper, Frank Gehry, and many others.

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Privilege (1967)
dir. Peter Watkins

Product Decsription:
Steven Shorter (played by Manfred Mann lead singer, PAUL JONES) is a rock music phenomenon. His popularity, carefully engineered by his corporate handlers, has reached dizzying proportions. But, when artist Vanessa Ritchie (played by the original supermodel, JEAN SHRIMPTON) is hired to paint his portrait, she discovers that he is unhappy and unstable. When matters take a devious twist, Steve rebels in a startling manner.
In the wake of the controversy surrounding his Oscar®-winning anti-nuclear drama The War Game, director PETER WATKINS fashioned a darkly comic vision of a totalitarian near-future. So forceful was Privilege in its criticism of the media, corporate culture and the state that it was greeted with a potent mix of praise and abuse on its first release. Its prescience and the questions it asks about manipulation and control make Watkins film even more relevant today.


DVD Features:
New High Definition video transfer
26 minute short film Lonely Boy (1962) featuring Paul Anka in his prime
Optional English and French subtitles
Original PRIVILEGE trailer
Stills and poster gallery
Peter Watkins filmography
Collector's booklet
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Hair Extensions (EXTE): Special Edition (2007)
dir. Sion Sono

Product Decsription:
Customs agents discover a huge amount of human hair along with the bald corpse of a young girl. This arouses the curiosity of Yamazaki a mortuary employee with a hair fetish (Ren Osugi) particularly since the girl's hair continues to grow. Now a mad hair-peddler with an endless stock of locks Yamazaki hocks his wares to salons to be used for hair extensions. Meanwhile Yuko (Chiaki Kuriyama KILL BILL Vol. 1 BATTLE ROYALE) an up-and-coming hair stylist is entrusted with the care of her timid and frightened niece Mami whose body bares the signs of abuse. It's not long before death surrounds them and their extension-wearing clientele. The hair it seems has a life of its own with lethal vengeful intentions. And Yuko and Mami must untangle the mystery before more deaths occur. Directed by Sion Sono (SUICIDE CLUB) HAIR EXTENSIONS will make your hair stand on end!

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Thursday, July 24, 2008

Wild Beasts (1983): Animals are fucking up!

Ladies and gentlemen, please don't get your animals all dusted.


Mmm, classy Franco, classy. This is why they hate us.


Wild Beasts is one of those movies with a fantastic premise and a so-so execution. That's not to say it's terrible, in fact Wild Beasts is nothing if not watchable. The animal attacks (with a couple exceptions) are not terribly interesting, but the preponderance of beefy euro-staches, the ridiculous dub script, and the general silliness make Wild Beasts worthwhile.

The setup is dealt with subtly in the opening credits. We get some smooth jazz, subdued shots of a city in the morning, and lots of running water footage. Mixed in with this are images of used syringes and garbage floating around near open drains. The movie doesn't directly spell things out until later, but basically PCP has gotten into the city's water supply, and from there found its way to the zoo animals' drinking supply. In short order they go nuts and decide to break out and kill some honkies.



This is basically a montage. What I just did.


One complaint I had with the movie is that if PCP infected an entire city's water supply there'd be a lot more to worry about than a few addled animals. The movie does address these possibilities briefly since a group of children end up drinking the cuckoo water, but unfortunately this subplot is handled pretty unsatisfactorily.

Fuck that though, I've already written too much, Wild Beasts doesn't need an essay, it needs a best-of compilation:


This smarmy turd is the main character and his mustache sets the standard for all the other male characters in Wild Beasts. Wild Beasts has been called out for animal cruelty by critics, and indeed it does appear that they doped up the tiger in the beginning of the clip for no real reason other than to get some classy twitch footage.



This clip, besides possibly being illegal, is the first appearance of the main characters' daughter. She is hideously odd and annoying, carries a shrieking frog doll with her and talks like a robot more often than not.



footage of the escape, plus a lil something for the ladies ;)



another intelligent conversation between our leads



oh yeah, this is what you came for: an awesome cheetah chase!



Weird girl has a weird chat with mom, shrieking frog makes an appearance



This is the other animal attack highlight, this time with elephants and shaky cams!



More of the animal cruelty so beloved of the italians



God I love when scientists explain the vagaries of PCP



Yeah, I don't think that's a real quote
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Sign language is fucking up!



I'm all for sign language, but shouldn't our failing school system be teaching deaf people how to read too? Are subtitles really that hard?


I mean, how can this be pleasant for deaf people? Instead of watching the movie you have to watch a neon madball in the corner signing and acting things out, making dumb faces and just generally taking up a quarter of the screen. Terrible. And whoever decided that it was appropriate to let this lady wear a bright red shirt while standing in front of a black and white movie should be slapped with a hearing aid.


EDIT: Updating this post to answer Cecil's question.

Right, so I've been in Ireland since October (just got back to America on Monday) and I watched a SHIT load of movies over there on Sky+ (a satellite dish cable service thing) because I had access to ~15 movie channels that played unedited shit night and day. Sometimes at night they would play movies with this sign language thing. Most of these movies also offered closed captioning subtitles which made the sign language effectively redundant, especially since these movies were generally played at four in the morning when nobody (except me) was watching. The first time I noticed the phenomenon was when I started watching American Gigolo. I was excited to see it because I'd watched a few other Paul Schrader movies recently and had enjoyed them and Gigolo is a get money movie and I'm a get money man. So the opening credits start going and they are AWESOME, you got Blondie and Giorgio Moroder doing Call Me and Richard Gere tooling around in a Porshe, classy neon light style font for the credits, Gere trying on suits and buying out stores, I mean I was in the MOOD you know. And then the credits stop and he walks into a madam's house and there's titties out and it's all good and then they start talking and boom, one of these little hand talking people pops up and I was so heated I had to turn the movie off. It was months before they played it normally and I finally got to see it the way god intended (verdict: not worth the wait). Another oddity of the service was that they didn't give the hard of hearing much choice. On the main movie channels, over the 8 months I was over there, they only seemed to play three movies with the sign language option: American Gigolo, The Ice Harvest, and Texas Chainsaw Massacre: The Beginning. They would generally play these at least once a week. Just before I left I saw that Channel 4 was going to be playing Ministry of Fear, but that it had sign language. I decided to suck it up since I like Lang a lot and I'd never seen this one, so I went and recorded it. What I hadn't counted on was how much worse the effect is when it's applied to a black and white movie. So then I made this post. I mean, in all honesty I think it's a nice that they do this and they obviously mean well, and I'm just a dick, but man, this is dogshit.
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Wednesday, July 23, 2008

Dear Readers:

A post so sensitive it can't even make the front page.


Thanks for checking out RoosterFlix. We've had a lot of fun with this blog since launching just a month ago. There is at least one new recurrent feature planned, but I won't be getting around to that or any other new posts until some time next week. I hear this may be a slow week for other contributors too.

If you like (or hate) something here, why not leave a comment? Even a one-word comment. Analytics software might be able to show us who is visiting the site, but it can never tell us what you think.
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RoosterFlix DVD Picks for July 22nd







Spaced: The Complete Series (1999-2001)
dir. Edgar Wright

I would suggest that if you only buy one DVD all year, make it this one. This is one of the best TV comedies of all time, and it only ran for 14 episodes. Damn those British sitcoms and their less-is-more mentality. You might be saying HEY, this set has been out for a while in the UK, why would I want this? Well, this set has everything the UK set had, PLUS all new retrospective commentaries with people like Quinten Tarantino, Patton Oswalt, Matt Stone, and Kevin Smith. If you love Shaun of the Dead & Hot Fuzz and you've never seen this, then 1) kick yourself in the face and 2) buy this immediately. You'll be imitating Duane Benzie in no time.

Product Decsription:
It only takes one episode to become very protective of this 1999 British Comedy Award-winning series that put comedy soul mates Simon Pegg and Jessica Stevenson (now Hynes), as well as Nick Frost, and director Edgar Wright (Shaun of the Dead, Hot Fuzz) on the map. One can only hope a threatened American version is never produced. This is one of those brilliant, off-center, lightning-in-a-bottle creations that gets you so jazzed, you want to turn all your friends on to it. Spaced (actually, Friends might have been a better title; too bad it was taken) stars Pegg and Stevenson as strangers Tim and Daisy, "amiable 20-somethings" who pose as a "professional couple" to rent an apartment. He is a recently-dumped aspiring comic book artist. She is an easily distracted writer. As the series unfolds, their apartment becomes an "island of calm in the ocean of life" as Tim and Daisy form a kind of 21st century family with their similarly misfit friends, including soused landlord Marsha (Julia Deakin), who lives with her teenager daughter (aka "the devil in a A cup," who is heard, but never quite seen), Brian (Mark Heap), an artist who deals in anger, fear, and aggression, Simon's best friend Mark (Frost), a militaristic gun nut, and Daisy's best friend, Twist (Katy Carmichael), a fashion poseur (in the series' penultimate episode, look for a pre-Office Ricky Gervais). Spaced is not so much interested in Tim and Daisy's charade as it is in cramming each episode with pop culture references and obscure in-jokes, and brilliantly realized film and TV homages, ranging from Woody Allen's Manhattan to Pulp Fiction and The Empire Strikes Back (Star Wars, especially, looms large in Tim's slacker universe). As with Arrested Development, Spaced benefits from repeat viewings to catch missed bits of business and gags that fly by at a Simpsons-esque rate. This Complete Series set is everything Spaced's fervent following would demand. Each episode is complemented by the original commentaries as well as newly-recorded gabfests that also feature American friends of the show, including Kevin Smith, Patton Oswalt, Quentin Taratinto, Matt Stone, Diablo Cody, and Bill Hader. There are deleted scenes and outtakes, and, best of all, an hour-long 2007 Q&A with Wright and the cast, in which Pegg allows that, had there been a third series (and we can still dream), it would have provided viewers hoping that Tim and Daisy would ultimately get together with "a moment to make every hair of your body stand on end." You will see such a moment if you "skip to the end" of the essential near two-hour series retrospective. --Donald Liebenson

DVD Features:
Audio Commentaries on every episode featuring Edgar Wright, Simon Pegg, and Jessica Stevenson
Alternate Audio Commentaries on every episode featuring Kevin Smith, Matt Stone, Patton Oswalt, Bill Hader, Quinten Tarantino, and Diablo Cody
Skip to the End, a feature-length documentary on the series
NFT Q&A
Homage-O-Meter subtitle tracks
Outtakes
Deleted Scenes
Character Bios
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High and Low - Criterion Collection (1963)
dir. Akira Kurosawa

For some reason, this is the only Kurosawa Criterion I don't have. But, I'm glad I waited, because this re-release looks awesome (as do all other Criterion reissues). Remastered picture, lots of new extras, all the usual stuff.

Product Decsription:
Although best known for his samurai classics, Japanese master filmmaker Akira Kurosawa proved himself equally adept at contemporary dramas and thrillers, and 1962's High and Low offers a powerful showcase for Kurosawa's versatile skill. The great Toshiro Mifune stars as a wealthy industrialist who has just raised a large sum of money to execute his planned takeover of a successful shoe manufacturer. Fate intervenes when he receives a phone call informing him that his son has been kidnapped, and by unfortunate coincidence the ransom demand is nearly equivalent to the amount Mifune has raised for his corporate coup. A philosophical dilemma emerges when it is revealed that the executive's son is safe, and that it is actually his chauffeur's son who has been taken. What follows is both a tense detective thriller, as the police attempt to track down the kidnapper, and a compelling illustration of class division in Japan--the "high and low" of the title. Far be it from Kurosawa to make a mere thriller, however; this loose adaptation of the Ed McBain novel King's Ransom provides the director with ample opportunity to develop a visual strategy that perfectly enhances the story's sociological themes. The Criterion Collection DVD of this extraordinary film is presented in the original "Tohoscope" aspect ratio of 2.35:1.

DVD Features:
SPECIAL EDITION DOUBLE-DISC SET FEATURES:
New, restored high-definition digital transfer with original four-track surround sound
Audio commentary featuring Akira Kurosawa scholar Stephen Prince
A 37-minute documentary on the making of High and Low, created as part of the Toho Masterworks series Akira Kurosawa: It Is Wonderful to Create
Rare video interview with actor Toshiro Mifune, conducted by TV talk-show host Tetsuko Kuroyanagi
New video interview with actor Tsutomu Yamazaki, who plays the kidnapper
Theatrical trailers from Japan and the U.S.
New and improved English subtitle translation
PLUS: A booklet featuring a new essay by critic Geoffrey O’Brien and an on-set account by Japanese film scholar Donald Richie
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Vampyr - Criterion Collection (1931)
dir. Carl Theodor Dreyer

Most film nerds go bonkers at the mere mention of Carl Th. Dreyer's name, but I'll be honest, I haven't seen any of his movies. Not on purpose, I just haven't got around to it. This one looks very very promising, so I'll make it my first. Maybe if I like it enough, I'll pick up the Dreyer boxset too.

Product Decsription:
With Vampyr Danish filmmaker Carl Theodor Dreyer's brilliance at achieving mesmerizing atmosphere and austere profoundly unsettling imagery (as in The Passion of Joan of Arc and Day of Wrath) was for once applied to the horror genre. Yet the result-concerning an occult student assailed by various supernatural haunts and local evildoers at an inn outside Paris-is nearly unclassifiable a host of stunning camera and editing tricks and densely layered sounds creating a mood of dreamlike terror. With its roiling fogs ominous scythes and foreboding echoes Vampyr is one of cinema's great nightmares.

DVD Features:
SPECIAL EDITION DOUBLE-DISC SET FEATURES:
The original German version in a new high-definition digital transfer from the 1998 restoration by Martin Koerber and the Cineteca di Bologna
Newly credited alternate version with English text
Audio commentary featuring film scholar Tony Rayns
Carl Th. Dreyer (1966), a documentary by Jørgen Roos chronicling Dreyer's career
Visual essay by scholar Casper Tybjerg on Dreyer's influences in creating Vampyr
Radio broadcast from 1958 of Dreyer reading an essay about filmmaking
New and improved English subtitle translation
PLUS: A booklet featuring new essays by Mark Le Fanu and Kim Newman, Koerber on the restoration, and a 1964 interview with producer and star Nicolas de Gunzburg, as well as a book featuring Dreyer and Christen Jul's original screenplay and Sheridan Le Fanu 1872 story "Carmilla," a source for the film
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Bird (Two-Disc Special Edition) (1988)
dir. Clint Eastwood

WHAT IS CLINT EASTWOOD'S PROBLEM, WHY AREN'T THERE ANY BLACK PEOP.......oh.

Product Decsription:
Clint Eastwood's moody, evocative direction and Forest Whitaker's strong, sensitive performance are the chief proponents to recommend an otherwise muted biopic of '40s jazz legend Charlie Parker, who fell victim to his chemical excesses and convinced the doctor who pronounced him dead that he was a good four decades older than he actually was. The film doesn't try to assign clear blame for Parker's demons, though the era's racism is addressed unflinchingly. Clearly a labor of love, Eastwood's movie structurally attempts to ape the angular music of bebop itself (there are flashbacks within flashbacks, which gets a little confusing), but doesn't quite capture the smolder of the period. Diane Venora registers strongly as Bird's wife, Chan, the woman who can't rescue Bird from the abyss into which he peers.

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Round Midnight (1986)
dir. Bertrand Tavernier

For some reason, there are a slew of these jazz/blues based movies coming out this week. Not sure if it was carefully planned or a complete coincidence, but it's pretty sweet either way. Where's a special edition of Altman's Kansas City when you need it?

Product Decsription:
Like the music it celebrates, Round Midnight is long on atmosphere, short on formal structure, alert and open to improvisation, making this 1986 drama the most authentic glimpse of jazz yet filmed. Its subject, Dale Turner (played by Dexter Gordon), is a composite of brilliant but bruised jazz warriors who left America behind for self-imposed European exile, finding a more tolerant and appreciative audience while never completely eluding their private demons. Drugs and drink have battered the tall, laconic saxophonist, whose diffident, somewhat distracted manner only partly conceals a deeper exhaustion as he plays a 1959 engagement in a Parisian club and tries to stay sober. His burnished solos drift behind the tempo with a languor that can't be fully explained as a point of style. But when an ardent, impoverished French fan (François Cluzet) intercepts his idol and then offers him simple acts of kindness, the gesture inspires a brief but glowing second wind in the aging musician, reflected in his playing. Even as the film contemplates Turner's return to his homeland as a portent of his own death, his moments on the Parisian bandstand suggest a glimpse of redemption.
If Turner's frail character echoes real-life ex-pats like Bud Powell and Lester Young, director Bertrand Tavernier's insistence upon casting the role with veteran tenor player Dexter Gordon breathes startling authenticity into the figure. Gordon's own drug arrests and an extended idyll abroad give him direct access to Turner's isolation, and Tavernier elicits a natural but compelling performance that earned Gordon (who died in 1990) an Academy Award nomination. Likewise, the director cast his cinematic band with world-class musicians, including Herbie Hancock, Freddie Hubbard, Wayne Shorter, and Ron Carter, and shot these sequences as live performances. Hancock's score deservedly won both British and American Academy Awards, as well as a French César. --Sam Sutherland


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Pete Kelly's Blues (1955)
dir. Jack Webb

Product Decsription:
A Kansas City singer and his jazz band bow down to pressure from a local gangster and take on the thug's alcoholic girlfriend as a singer.

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Blues in the Night (1941)
dir. Anatole Litvak

Product Decsription:
In this backstage musical with film-noir overtones, an up-and-coming jazz singer (Priscilla Lane) is looking for success. When an on-the-lam criminal joins the band and hooks up with a sultry sexpot (Betty Field), it adds a note of doom that resonates all the way to the film's finale. BLUES IN THE NIGHT was directed by Anatole Litvak, but it is also notable for the future filmmakers in its ranks: Robert Rossen (THE HUSTLER) co-wrote the script, Elia Kazan (A STREETCAR NAMED DESIRE) plays a clarinet player, and Don Siegel (DIRTY HARRY) created the film's montage sequences.

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Kiss of the Spider Woman (Two-Disc Collector's Edition) (1985)
dir. Hector Babenco

I haven't seen this, but I've heard nothing but good things. William Hurt's awesome, and he won a ton of awards for his role in this (including an Oscar for Best Actor, and Best Actor at Cannes).

Product Decsription:
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a homosexual, is found guilty of immoral behaviour and Valentin is a political prisoner. To escape reality Luis invents romantic movies, while Valentin tries to keep his mind on the situation he's in. During the time they spend together, the two men come to understand and respect one another.

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21 (2008)
dir. Robert Luketic

Product Decsription:
An unconvincing exercise in moral complexity, 21 is based on Ben Mezrich's book Bringing Down the House: The Inside Story of Six M.I.T. Students Who Took Vegas for Millions. Jim Sturgess (Across the Universe) plays brilliant, blue-collar scholar Ben Campbell, whose doubts that he'll win a scholarship to Harvard Medical School compel him to join a secret, M.I.T. gang of math whiz kids. Under the silky but chilling command of a math professor (Kevin Spacey), Jim and the others master card counting, i.e., the statistical analysis of cards dealt in blackjack games. The team lives a humdrum existence during the week, but on weekends in Sin City, the students are rolling in cash, going to exclusive clubs, and feeling on top of the world. (Ben even gets the girl: a comely, fellow counter played by Kate Bosworth.) Despite all that success, Ben feels ethically compromised, and indeed director Robert Luketic (Legally Blonde), in the old tradition of American movies, plays it both ways where fun vices are concerned. On the one hand, it feels so good; on the other, ahem, we know it's wrong. That studied ambivalence proves wearing after a while, making the most interesting character in the film a casino watchdog played by Laurence Fishburne. A master at reading the emotions of gamblers beating the house with a scam, he's admirable for being good at his job, but repellent for wrecking the faces of counters in casino dungeons. He's all about moral complexity in the tradition of anti-heroes, and a truly provocative element in an otherwise superficial movie. --Tom Keogh

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Duck (2005)
dir. Nic Bettauer, Nicole Bettauer

I haven't heard anything about this, but anything with Philip Baker Hall gets a mention.

Product Decsription:
Produced, written, and directed by Nic Bettauer, DUCK is the only narrative feature film winner of the year s Women In Film Foundation Film Finishing Fund. DUCK was an Official Selection of the Avignon & Avignon / New York, Hollywood, Denver (where Philip Baker Hall received The John Cassavetes Award for achievement and excellence in American cinema) and Sao Paulo International Film Festivals. DUCK won the Audience Award for Best Narrative Feature at its Cinequest World Premiere and was selected for the prestigious American Cinematheque s Independent Showcase . DUCK won Best Foreign Dramatic Feature at the inaugural European Independent Film Festival.

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Masters of Horror: Season Two Box Set (2007)

The Masters of Horror series has turned out to be not so great, but this packaging is pretty sweet. Too bad it's not for something else.

Product Decsription:
This collection from the MASTERS OF HORROR TV show includes spine-chilling films from various lauded directors. Among the contributors are John Landis ("Family"), Dario Argento ("Pelts"), John Carpenter ("Pro-Life"), Rob Schmidt ("Right to Die"), Joe Dante ("The Screwfly Solution"), Mick Garris ("Valerie on the Stairs"), Stuart Gordon ("The Black Cat"), Tom Holland ("We All Scream For Ice Cream"), Brad Anderson ("Sounds Like"), Peter Medak ("The Washingtonians"), Tobe Hooper ("The Damned Thing"), and Norio Tsuruta ("Dream Cruise"). Please see individual titles for complete synopsis information.

DVD Features:
Audio Commentaries
Featurettes
Interviews
Trailers
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Andre Techine Boxset

Post-French New Wave doesn't exactly get my blood boiling, but I'll give anything a shot.

Product Decsription:
Andre Techine's extraordinary work with actors and his visionaryapproach to the complexity of emotions have made him one of France'sleading post-New Wave directors. The four acclaimed films in this uniquecollection represent Techine's move toward naturalism and hismasterful ability to examine the human condition. The ANDRE TECHINE4-FILM COLLECTION includes WILD REEDS (LES ROSEAUXSAUVAGES) I DON'T KISS (J'EMBRASSE PAS) HOTEL AMERICA (HOTEL DESAMERIQUES) and MY FAVORITE SEASON (MA SAISONPREFEREE).

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Comedy Central's TV Funhouse (2000)
dir. Robert Smigel

Product Decsription:
When you were a kid cartoons were on Saturday mornings TV show hosts were beloved and puppets were friendly caring and kind. Well you're not a kid anymore. That's why Comedy Central s TV Funhouse featuring host Doug and his Anipals is packed with enough twisted cartoons crass puppets live animals and guest stars to send you to bed weeping over your lost youth.

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Satantango (1994)
dir. Béla Tarr

Not many people have the patience to watch a "7-hour black-and-white epic". I guess you just have to approach it like a TV show, or similar to how you would approach Berlin Alexanderplatz. Reaaaally long movies are hard to swallow, but I've found that they're usually worth the effort.

Product Decsription:
Hungarian auteur Bela Tarr's 7-hour black-and-white epic based on the novel by Laszlo Karsznahorkai took two years to film. The complex story follows a group of people living in a dilapidated village in post-communist Hungary. Tarr examines their standstill lives through a series of episodes told from each person's point-of-view. Winner of the Caligari Film Prize and the Ecumenical Jury Prize Special Mention at the 1994 Berlin International Film Festival. In Hungarian with English subtitles.

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Big Dreams, Little Tokyo (2006)
dir. Dave Boyle

Looks like it might be decent. The few reviews I've read have been favorable.

Product Decsription:
Boyd, a self-proclaimed businessman convinced he's Japanese, and his roommate Jerome, a sluggish but affable Japanese-American sumo wrestler, have big dreams for themselves. Together, the two travel door-to-door by tandem bike, giving flyers and sales pitches to anyone who listens...but Boyd's Japanese clients aren't buying his "Translation Services," and no one will give Jerome--a paltry 200 pounds--a chance in the ring. When they meet Mia, who is unfazed by their oddities and offers a hand, Boyd and Jerome discover that in a world where cultural identity is seldom what it seems, there's a place for everyone.

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Saturday, July 19, 2008

What Is RoosterFlix? OR: The New Recycling.

RoosterFlix is a digestive blog.

"How is that?," you ask. "It sure seems like a movie blog," you say.

Well, we take all of the motion picture culture (mostly movies but some other stuff) Western civilization has shat out over the last century, digest this shit (especially some of the tastier morsels that somehow escaped mass digestion), and then shit it out again for you, the reader. Also, there is music, to make the shit go down easier.

This is The New Recycling. Do you want paper, or plastic? Read Full Post »

Pink Flamingos (1972): The Future of City Living


1: That was even better than Cries and Whispers.
2: I think it's the future of city living.

THE GOD JOHN WATERS

John Waters' Pink Flamingos makes the short list. It is one of the filthiest cinematic works ever created. Well over three decades old, and still an original for reasons I can't fully get into without losing our YouTube account and "family friendly" image.

I saw Pink Flamingos when I was 22. I thought I had seen everything, but this movie humbled me. It made me realize that filth was not invented on or for the Internet. Sometimes filth isn't even done best on the Internet. Sometimes the shock of something disgusting is like a wave -- it builds over time -- like, for instance, the two hours this movie runs for. After this movie showed me that I was still somewhat innocent, it took some of that newly re-discovered innocence away. Repeatedly.

If you've heard of the movie but haven't seen it, chances are you heard of the famous scene where the main character, Divine, eats dog shit on film (no smoke and mirrors...the actor actually eats it). Depending on your perspective and values, though, that isn't really even the worst the film has to offer. Pink Flamingos has a little something for everyone.
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Friday, July 18, 2008

A Brief Intermission, OR: Counterpoint to the Debut of The Dark Knight



read the dark knight reviews.

download superman torrent. Read Full Post »

Thursday, July 17, 2008

A Brief Treatise On: John Carpenter



John Carpenter
is a prolific and complicated filmmaker. He has undisputed classics and utter failures. In this post we're going to talk a little bit about both. For more words and some meta-words about John Carpenter, see Full-Size Baffle's post on the original Halloween, released in 1978.

I was a kid when In The Mouth of Madness came out 13 years ago. The commercials made it look like the coolest thing in the world. I'm very sorry to say I saw it. I'm very sorry to say I saw it this past spring. It reminded me of every shitty movie I watched on a Saturday afternoon on the USA Network (and as it turns out, a lot of these were directed by Carpenter too, which makes heaps of sense). Nostalgia ruined!

Hopefully the following video clip will entice you to view the rest of the post, where I talk about how John Carpenter used to be awesome -- capable of directing insane shit like this:


Compared to 1982's The Thing, In The Mouth of Madness isn't shit. Maybe it looked good on storyboards, but it is terrible. The Thing, on the other hand, probably looked incredible on storyboards and it is awesome. Did you already forget about the video you saw earlier in this post? Jesus Christ.



The type of insanity and horror that characterizes The Thing is paid homage to in the monster design seen in the classic game Resident Evil 4, and if the trailers are to be believed, Resident Evil 5, which is due out some time next year.

The type of insanity and horror that characterizes In The Mouth of Madness isn't actually entertaining outside of the director's mind and hasn't been relevant or popular since H.P. Lovecraft wrote the same fucking story over and over again back in 1930.

I conclude with the following videos to help explain the differences between 1980s Carpenter and 1990s Carpenter. In these clips, the audio soundtracks were made identical to remove any bias that might be created therein.

The Thing (1982):


In The Mouth of Madness (1995):


So, who has seen Ghosts of Mars?
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The Last Unicorn (1982): She'll Kill Me One Day or Another



I really love this movie, and I believe it belongs in the discussion with the great animated movies of all time. Well, it's top 10...top 20 at least. The 25th Anniversary DVD is cheap, but I wouldn't recommend picking it up...it's an awful release (no extras, full-screen, etc.). If you want, you can watch the entire movie on YouTube. Start here. Read Full Post »

Tuesday, July 15, 2008

This post is sort of about John Carpenter's Halloween (1978): rambles, a drawing, and nothing insightful


Cecil looked like he had fun doing one of those “What the fuck, guy? How have you not seen that?” posts so I’m stealing his idea and providing diminishing returns for you, the reader.

There isn’t really any point in me doing this, since if I think the movie is crappy that pretty much makes me a know-nothing douchebag and if I like it then I become the 10,000th guy to add nothing of real interest to the critical discourse (as an aside, did you know that Jamie Lee Curtis’ mom, Janet Leigh, was a scream queen in Psycho and then Jamie Lee was a scream queen in Halloween, a movie that was influenced by Psycho????????? Scintillating insight ftw roflz roflz!!!). Needless to say, I am a douchebag. None of that would matter though, if I was a better writer. A better writer would beguile you with artfully constructed sentences and a winning voice, and you wouldn’t notice until you’d finished reading that you didn’t really care in the first place. I’m not that guy though, so you’re getting boring meta-reflections (like this whole paragraph), and thin excuses and explanations like this:

Being that John Carpenter is one of my favorite directors, and seeing as how I watch all kinds of piece-of-shit horror movies without a second’s hesitation, I can’t understand why I never got around to Halloween before now. You’d think a guy that watches John Carpenter’s The Thing every October 31st would at some point have gotten the idea to actually maybe I don’t know, watch fucking Halloween on Halloween, but no.

And aren’t-I-clever snarky snark snarks like this:

I don’t want to say Halloween is boring and shitty, so I’ll just say that it’s boring.

Really though, Halloween was pretty boring. It has less violence than Indiana Jones, the scares are spread waaay too far out, and the titties- well okay there were titties, I can’t hate on that. At least the kid playing young Michael Myers in this one looked normal and was only in it for a few seconds. The feminino longhair halfling elf child that Rob Zombie cast in his remake may have appealed to pedophiles unsure of their sexuality but I’m not really sure that they contribute to opening weekends as much as Hollywood thinks they do. And did you see Hancock? I just assumed that Rob Zombie forced the poor kid to look like a Magic Hair Doll to complete his white trash fetish but then this toad shows up in Hancock looking exactly the same and sporting a french accent to boot. Where are this boy’s parents?

Since I brought up the remake's casting I would be remiss not to talk about my favorite actor of the entire Halloween series: Paul Rudd. Not necessarily the first name you think of when Halloween comes up, but there's Rudd, playing the grown up Tommy Doyle in Halloween 6: The Curse of Michael Myers. Rudd definitely deserves a post of his own and believe me, if my first blog post had been in 2002 instead of 2008 I would have been allll over that, but at this point it would only be slightly less redundant than this Halloween post is, so I figured what better place to show him a little love than here. Curse came out in 1995, same year as Clueless. Rudd was charming, natural, and relaxed in Clueless and seems like a totally different actor than the weird, intense guy doing a terrible voice and acting too hard throughout Curse of Michael Myers. Curse should have been amazing, given that it’s about evil druids, a timeless curse, has Paul Rudd teaming up with Donald Pleasance, and Kim Darby finally getting what was coming to her for ruining True Grit. But mostly the only things I remember are bad editing and Rudd’s goofily clipped patrician accent. Even so:



Oh yeah kid, I made that two years ago and motivational poster jokes were played out even then. This post is gonna get worse too.

I guess my favorite part of Halloween was Dr. Loomis. Played by Donald Pleasance as a man who wandered in from another movie, his scenes stand out like neon balls on a grey dildo. Pleasance’s acting style tended to remind me of the pronouncements David Caruso makes just before the opening credits on every episode of CSI: Miami:


Ooookay delete blog, bury body, bottom of barrel is dry, cupboard is bare, there is no man behind the curtainThis post is just a clearing house for bad ideas. Count yourselves lucky I couldn’t figure out a way to make the sections on Ice T’s The Tower and my dad yelling things like “Why won’t she turn on the lights! Shit there he is! Why’s she keep throwing the fucking knife away! Idiot! This is stupid! Does she hate lights!” fit into this mess.
Read Full Post »

RoosterFlix DVD Picks for July 15th



Very slow week this week, but the potential DVD of the year comes out in 7 more days. Patience.


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Trafic - Criterion Collection (1971)
dir. Jacques Tati

Almost 20 years after Jacques Tati first appeared in Mr. Hulot's Holiday, he reprises his role for the 5th and last time in Trafic. The only one of Mr. Hulot's adventures that Criterion hasn't released is Cours du soir (Evening Classes), but I wouldn't be surprised to see it show up sometime soon.

Product Decsription:
In Jacques Tati's Trafic the bumbling Monsieur Hulot outfitted as always with tan raincoat beaten brown hat and umbrella takes to Paris's highways and byways. For this his final outing Hulot is employed as an auto company's director of design and accompanies his new vehicle (a camper tricked out in all sorts of absurd gadgetry) to an auto show in Amsterdam. Naturally the road is paved with modern-age mishaps. This late-career delight is a masterful demonstration of the comic genius's expert timing and sidesplitting visual gags and a bemused last look at technology run amok.

DVD Features:
SPECIAL EDITION DOUBLE-DISC SET FEATURES:
New, restored high-definition digital transfer
In the Footsteps of Monsieur Hulot (1989), a two-hour documentary tracing the evolution of Jacques Tati's beloved alter ego
Interview from 1971 with the cast of Trafic, from the French television program Le journal de cinéma
"The Comedy of Jacques Tati," a 1973 episode from the French television program Morceaux de bravoure
Theatrical trailer
New and improved English subtitle translation
PLUS: A new essay by film critic Jonathan Romney
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Penelope (2008)
dir. Mark Palansky

A modern day fairy tale and blah blah blah. I've read good things about it, and it's got Nick Frost, so I'll try and check it out soon.

Product Decsription:
Taking cues from Beauty and the Beast and Cyrano de Bergerac, director Mark Palanksy debuts with a slight, if fanciful confection. Produced by Reese Witherspoon and written by Leslie Caveny, Penelope begins with the phrase, "Once upon a time...," making it clear the proceedings owe more to fantasy than reality. Due to a family curse, Ricci's sweet-natured heiress sports a pig snout instead of a normal nose. Since surgery isn't an option--it would sever her carotid artery--her parents (Christopher Guest favorite Catherine O'Hara and an underused Richard E. Grant) hide her from the world for 25 years. Penelope can only break the spell through "one who will love her faithfully," but none of the local bluebloods will have her. One fateful day, while her face is hidden, she meets musician-turned-gambler Max (Atonement's James McAvoy in a winning performance). Sparks fly, until she finds he's only cozying up to her on orders from tabloid reporter Lemon (The Station Agent's Peter Dinklage), so Penelope runs away from home. The city she enters looks much like modern-day London--Amélie's Michel Amathieu served as cinematographer--except most everyone speaks with an American accent (then again, the film is a fable). The aspiring horticulturist befriends spunky courier Annie (Witherspoon) and reconnects with Max, who harbors secrets of his own. Once people become accustomed to her unconventional looks, Penelope's future starts to brighten. Like Enchanted, Palanksy's first feature gives the romantic comedy a refreshing--and empowering--fairytale twist.

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The Bank Job (2008)
dir. Roger Donaldson

This movie has recieved a very large amount of fantastic reviews...here I was thinking it was just another cut-and-paste, "insert Jason Statham here" action movie. I'll be watching this one very soon.

Product Decsription:
A cheerful, energetic, and completely entertaining movie, The Bank Job follows some small-time hoods who think they've lucked into a big-time opportunity when they learn a bank's security system will be temporarily suspended--little suspecting that they're being manipulated by government agents for their own ends. The result is that the movie doubles its pleasures: While the robbery itself has the usual suspense of a heist film, when the robbery is over the hoods find themselves being hunted by the police, the government, and brutal criminal kingpins who were storing dangerous information in a safety deposit box. The Bank Job won't win any awards, but it's enormously fun. Director Roger Donaldson (No Way Out, Species) propels the action along with vigor, editing zippily with perfect clarity among multiple storylines and various colorful characters. Jason Statham (Snatch, The Transporter), as the leader of the bank robbers, successfully steps away from his usual bone-crunching roles to a more human presence. The rest of the cast--including Saffron Burrows (Deep Blue Sea), Keeley Hawes (Tipping the Velvet), David Suchet (Poirot), and many faces familiar from British film and television--give their characters the right degree of personality and flavor without getting fussy or detracting from the headlong rush of the story. A little sex, a lot of action, a sly sense of humor, and a twisty plot; if more movies had these basic pleasures, the world would be a happier place.

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Meet Bill (2007)
dir. Bernie Goldmann, Melissa Wallack

Aaron Eckhart is great, but the premise of this one puts me to sleep.

Product Decsription:
Meet Bill (Aaron Eckhart) - a doormat if ever there was one. A man reduced to a mere accessory to his family by working a dead end job at his father-in law s bank and arguing about his overindulgent love for chocolate with his wife Jess (Elizabeth Banks) who is loathe to explain her "friendship" with the local news anchorman (Timothy Olyphant). But Bill's fate begins to change when he becomes mentor to a self-assured boy (Logan Lerman) who engineers Bill s recovery with the help of a cute lingerie sales girl named Lucy (Jessica Alba). Together the trio confronts Bill s hapless life with humor and energy while forcing him to capture his dream of being financially independent and self-confident. MEET BILL is a film about what it means to let go of your inhibitions and find the path you re destined for.

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Monsieur Vincent (1947)
dir. Maurice Cloche

Product Decsription:
MONSIEUR VINCENTchronicles the remarkable journey of St. Vincent De Paul (PIERRE FRESNAY) who rose from slavery to become a trusted advisor to queens and princes. Director Maurice Cloche's powerful and dramatic biopic reveals how St. Vincent De Paul's unwavering commitment to the poor made him one of the greatest humanitarians in history.

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The Year My Parents Went on Vacation (2006)
dir. Cao Hamburger

Some people are saying this is the best Brazillian movie since City of God, which is quite the coincidence since Fernando Meirelles is the producer. Meirelles is one of the best directors working right now. I'll have to see those claims live up.

Product Decsription:
In 1970, near the World Cup, Daniel Stern and his wife Miriam leaves Belo Horizonte in a hurry and scared with their ten years old son Mauro in their Volkswagen. While traveling to São Paulo, the couple explains Mauro that they will travel on vacation and will leave Mauro with his grandfather Mótel. Daniel promises to return before the first game of the Brazilian National Soccer Team in the Cup. The boy is left in Bom Retiro, a Jewish and Italian neighborhood, and waits for Mótel in front of his apartment. When the next door neighbor Shlomo arrives, he tells the boy that Mótel had just had a heart attack and died. Alone and without knowing where his parents are, the boy is lodged by Shlomo and the Jewish community. Through the young neighbor Hanna, Mauro makes new friends, cheers for the Brazilian team and sees the movement of the police and militaries on the streets while waiting for his parents.

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Times and Winds (Bes Vakit) (2006)
dir. Reha Erdem

Product Decsription:
Winner of the Best Film and FIPRESCI prizes at the Istanbul International Film Festival, Reha Erdem s Times and Winds is a film bewitched by the rhythms of everyday life (The Village Voice) that packs a poetic-spiritual punch way beyond its placid surface (Variety). Laying bare forbidden yearnings, dawning sexuality, and oedipal rage, it tells the story of three pre-adolescent friends coming of age in a remote Turkish mountain village. Young teen Omer (Özkan Özen) contemplates the unthinkable as he bitterly struggles under the loveless emotional yoke of his scornful Muslim cleric father. Yakup (Ali Bey Kayali), Omer s best friend, obsesses over a beautiful schoolteacher. Yildiz (Elit Iscan) recoils from burgeoning womanhood, and from the sordid carnal realities she has grown too old to ignore. Blessed with painterly wide-screen visuals, Estonian composer Arvo Part s sublime music score, and phenomenally surefooted performances from an astonishingly adept young cast, Times and Winds contrasts a parochial society s unending chain of cruelty with the pagan natural world s eternal and sensual beauty. Wise in its depiction of the cycle of life, and unblinking in its exploration of fate s capricious malice and childhood s discontent, Times and Winds vision of people in thrall to religious ritual and living at the mercy of nature may be poetic, but it is no idyll (The New York Times).

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A Throw of Dice (Prapancha Pash) (1929)
dir. Franz Osten

Product Decsription:
The 1929 Silent Extravaganza From India with a New Orchestral Score by Nitin Sawhney. A lavish silent super-production comprising 10,000 extras, a thousand horses, and scores of elephants, A Throw of Dice is the climax of German film pioneer Franz Osten's richly cinematic sojourn in India. In this FAIRY TALE FOR ADULTS (BBC) inspired by the ancient Sanskrit epic poem The Mahabharata, royal cousins and rulers of adjoining kingdoms King Sohat (Producer and Star Himansu Rai) and King Rajit (Charu Roy) share a reckless passion for gambling, the perilous jungle tiger hunt, and the beautiful maiden Sunita (Seeta Devi). After a tiger nearly claims Rajit's life, Sunita nurses the handsome young king back to health and becomes his bride. Knowing that the only thing stronger than love is Rajit's heart is a compilsive fascination with games of chance, jeolous Sohat challanges his cousin to a winner-takes-all contest where the stakes are freedom, marriage, and life itself.

LOVINGLY RESTORED (The Guardian UK) by the BFI (British Film Institute) to a level of ravishing spectacle and splendor unseen since its debut in 1929, this IMMACULATELY DRESSED AND BEAUTIFULLY SHOT (Times of London) masterpiece of the late silent period is complemented by a STIRRING (The Guardian) and BRILLIANTLY EVOCATIVE NEW SCORE (BBC). A sensation when it re-premiered in London's Trafalgar Square in 2007, KINO is proud to present A THROW OF DICE for the first time on US DVD.


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Eagle Shooting Heroes (1993)
dir. Jeffrey Lau

Product Decsription:
A hilariously zany parody of Louis Cha's classic, the film stars nearly the same cast as ASHES OF TIME, which was shot in concurrent with this film (Wong Kar-Wai is the executive producer). A complete subversion of the martial arts genre in spite of action choreography by legendary Sammo Hung, the star-studded THE EAGLE SHOOTING HEROES piles on love triangles/quadrangles/pentangles along with bizarre musical numbers and assorted kooky situations to create one of Hong Kong's most beloved cult comedy classics.

Big Action... Great Costumes... Super Stars... This wacky comedy is the second film based on the adventures of Ouyang Feng and Huang Yaoshi (the other was Wong Kar-Wai's Action-Drama ASHES OF TIME). The film stars five of Hong Kong's biggest stars, Leslie Cheung (A Better Tomorrow, Farewell My Concubine), Brigitte Lin (Bride with White Hair, Chungking Express), Maggie Cheung (Hero, 2046, In the Mood For Love), Tony Leung (Hero, 2046, In the Mood For Love), and Jacky Cheung (Bullet in the Head, Chinese Ghost Story II). This slapstick version of Crouching Tiger, Hidden Dragon includes great fight scenes, cross-dressing bad guys and fabulous musical sequences.


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Brothers Five (1970)
dir. Lo Wei

What is this, like, the fifth Dragon Dynasty rip-off label?

Product Decsription:
Cheng Pei-pei is one of those rare names in cinema who returns to thrill and surprise audiences again and again. Born in Shanghai in 1946, Cheng relocated to Hong Kong when she was 14. Armed with a high school education and six years of ballet training, Cheng joined the Shaw Brothers performing arts training course, which served as a springboard for her into a career as an actress with Shaw Brothers.
She made her film debut playing a male in The Lotus Lamp in 1963, but quickly made her screen presence felt when she starred in Pan Lei s Lover s Rock later that year.
During her years at Shaw Brothers, she made over 20 movies of which most were wuxia (martial arts) films. Cool but passionate, poised but lethal, Cheng carved herself an unbreachable niche as the Queen of Swords in classics such as Come Drink With Me, Golden Swallow, Dragon Swamp, and The Lady Hermit.
She left her successful career and moved to the U.S. to get married in 1971 after making The Lady Hermit in 1971. She returned to Hong Kong for good in 1992, working in television, until Taiwanese auteur Ang Lee cast her as the Jade Fox in the Oscar-winning Crouching Tiger, Hidden Dragon. The film brought her the best supporting actress award in the Hong Kong Film Awards and took her career to new international heights.


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Two Champions Of Shaolin (1980)
dir. Chang Cheh

Product Decsription:
A team that ranks high in the pantheon of cult kung-fu flicks is a quintet of martial artists who burst upon the screen in The Five Venoms, followed by Crippled Avengers and other cult classics. The five venoms are reunited in Two Champions Of Shaolin, with four of the fab five wreaking havoc on screen and the fifth venom active behind the camera as action choreographer. It s a battle between two Ching Dynasty clans, Shaolin and Wutang. The Shaolin champions are anti-Manchu and, naturally, represent the forces of good as they use their considerable force to crush the devious Wutang clan. The man behind the mayhem, director Chang Cheh, virtually invented the Shaolin genre of kung-fu movies and shows he has more than a few new tricks up his sleeve when unleashing his venomous heroes.

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Guardians (2006)
dir. Drew Maxwell

The cover says it all.

Product Decsription:
The sleepy town of Twilight Cove is the kind of place where it seems as if nothing happens. That is, until terrifying creatures are conjured up from the great beyond! Now it's up to a hardy group of townsfolk to battle the carnivorous horde. However, it isn't just their survival that's at stake--it's the fate of the world. This genre-bending monster movie bursts with enough gunplay and gore to thrill both action aficionados and horror fanatics.

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Final Approach (2008)
dir. Armand Mastroianni

THE GOD WILLIAM FORSYTHE

Product Decsription:
The action thriller miniseries event of the year Final Approach follows FBI hostage rescue specialist Jack Bender aboard a domestic flight that has been hijacked by a radical organization called the People's Separatist Movement. On ground Jack's ex-wife an FAA employee discovers that the terrorists motives are tied to visions of nuclear grandeur and there's only way to stop them--by blowing the airliner out of the sky. Featuring an star-studded cast including Dean Cain William Forsythe Lea Thompson Anthony Michael Hall and Ernie Hudson hold on and buckle your seat belt for Final Approach!

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Mad Bad (2007)
dir. Jon Keeyes

Only here because of the unbelieveably terrible title.

Product Decsription:
An ex-con tries to rebuild his life and repair his relationship with his sister a rising rockstar. To support her he turns to crime to secretly fund her career. Just when he seems to find vindication his past comes to confront him in a bloody show down.

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Lenny The Wonder Dog (2004)
dir. Oren Goldman

OK, but why is everyone after him on motorized razor scooters?

Product Decsription:
Zach is having a bad day when all of a sudden he stumbles across the biggest surprise in his life. He meets an adorable dog in the park, however, this is no ordinary dog, this one can talk. The dog introduces himself as Lenny and explains his extraordinary abilities are attributed to a special device created by the Brainco Corporation. Together Zack and Lenny, set out on a heroic adventure to put a stop to the evil Dr. Wagner s insane plan of world domination and bring down the Brainco Corporation.

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Hip Hop For Kids: School House Hip Hop (2008)
dir. n/a

Learn how to relax your wrists while slightly leaning! Learn how to look AND pose like Earth's biggest jackass!

Product Decsription:
Hey kids, check it out! Join Hip Hop great Roger G. in his latest Hip Hop for Kids fitness DVD. Dance, groove, stretch and have fun while learning all the latest moves like the Chicken Noodle Soup, The Snap, Walk It Out, and more. Watch Gaby, Amanda, Mckenna, "D", Tiff, Tremell, Tyree, "G", Vikki and Ikeem freestyle, break and spin as Roger G. leads them through a totally phat hip hop workout. This easy to follow 45 minute fitness DVD includes exciting live performances and will have kids from ages 5-14 up having fun and dancing in no time.

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