RoosterFlix DVD Picks for January 27th

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RocknRolla (2008)
dir. Guy Ritchie

Lots of people keep saying this is Guy Ritchie's best movie since Snatch, and while they're not wrong, it's still not really that great of a movie. It's definitely worth a watch though, especially if you enjoyed Snatch and Lock Stock. Also, Thandie Newton is hawwwwwwwt

Product Decsription:
“I own this town.” But owning is getting expensive for old-school London gangster Lenny Cole (Tom Wilkinson). A wealthier foreign mob is moving in with a riverfront property swindle. A small-timer (Gerard Butler) and his crew think they can play both sides and become big time. Now add a hard-as-ice accountant (Thandie Newton), a rocker playing dead to boost sales, wannabe music moguls (Jeremy Piven and Chris Bridges), a missing painting and a mad mosh of money and muscle, and youve got this funny, smash-mouth smackdown of sexthugs&rocknroll from writer/director Guy Ritchie (Lock, Stock and Two Smoking Barrels and Snatch).

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The Rocker (2008)
dir. Peter Cattaneo

Horrible, horrible movie. Not funny at all. Jeff Garlin is the only redeeming feature and he's barely in it. The music written for this movie is ear-poison. The fat kid is not only a terrible actor, but painfully uncharasmatic and unconfortable to watch at all times.

Product Decsription:
Most star vehicles center on one individual, but The Rocker doubles as a showcase for singer Teddy Geiger and The Office's Rainn Wilson. After his band, Vesuvius, kicks him to the curb, Cleveland drummer Robert "Fish" Fishman (Wilson) spends the next 20 years working in a cubicle and mourning for what might’ve been, while Vesuvius (Will Arnett, Bradley Cooper, and Fred Armisen) goes on to fame, fortune, and induction into the Rock and Roll Hall of Fame. After Fish loses his job, he moves in with his sister (Jane Lynch) and her husband (Curb Your Enthusiasm's Jeff Garlin). As it turns out, Fish's nephew, Matt (21's Josh Gad), plays keyboards with guitarist Curtis (Geiger) and bassist Amelia (Superbad's Emma Stone). When Fish finds out that ADD needs a stickman to play the senior prom, he offers his services. After a bumpy start, their styles--hair metal and power-pop--start to gel, and they hit the road (SNL's Jason Sudeikis offers hilarious value as their hipster manager). During their first tour, Fish becomes an older brother figure to the fatherless Curtis and a potential love interest for his mother (Christina Applegate). Written by Maya Forbes (The Larry Sanders Show) and Wally Wolodarsky (The Simpsons) and directed by Peter Cattaneo (The Full Monty), The Rocker doesn't break the mold for unlikely success stories--think Rock Star or School of Rock--but it's hard not to root for Wilson's sweet slob (and Geiger isn't bad either). --Kathleen C. Fennessy

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Vicky Cristina Barcelona (2008)
dir. Woody Allen

Still not real sure what to make of this. I want to watch it because it's Javier Bardem and Woody Allen, and I don't want to watch it cause it looks terrible. I dunno.

Product Decsription:
It must be true that getting out of town can do a fellow a lot of good, because Vicky Cristina Barcelona is the best movie Woody Allen has made in years. Okay, you're right, 2006's Match Point already claimed that honor and, as Allen's first film made in England, established the virtues of getting away from overfamiliar territory (namely Manhattan). But the Woodman's first film made in Spain matches the ice-cold Match Point for crisp authority, and yields a good deal more sheer pleasure besides. Rebecca Hall (Vicky) and Scarlett Johansson (Cristina) play two young Americans, best friends, spending a summer in Catalonia. Vicky is going for a master's in "Catalan identity" (though her Spanish is shaky); Cristina is going along for, oh, just about anything. That soon includes celebrated abstract artist Juan Antonio (Javier Bardem), who's anything but abstract in his forthright proposition that the two join him in his private plane, his travels, and his bed. That he has an insane ex-wife, Maria Elena (Penélope Cruz), who may or may not have tried to kill him is not really an issue until the wife reappears and ... well, consider the possibilities.
Vicky Cristina Barcelona isn't exactly a comedy, at least not in the manner of Allen's "early, funny ones," but it's informed by a rueful wit that finds its fullest expression in reflective voiceover commentary. Spoken by Christopher Evan Welch, but surely on behalf of the 73-year-old auteur, this element of the film is neither (as some have charged) patronizing nor uncinematic; rather, it's integral to the movie's participation in a venerable European literary tradition, the sentimental education. Instead of Bergman or Fellini, this time Allen is invoking the François Truffaut of Jules and Jim and Eric Rohmer in his many meditations on the game of love. The entire cast is terrific (both Hall and Johansson get to play "the Woody part" at different points), with Bardem and Cruz especially delightful as exemplars of Old Worldliness. Cinematographer Javier Aguirresarobe honors every drop of Catalonian sunlight and glint of Gaudí architecture. --Richard T. Jameson

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Lakeview Terrace (2008)
dir. Neil LaBute

On the surface this looks like another one of those movies where Samuel L. Jackson is just showing up for another paycheck, but Ebert gave it 4 stars so that woke a ton of people up. Also, Neil LaBute is no slouch...at least until he remade The Wicker Man he wasn't.

Product Decsription:
The usually provocative Neil LaBute reigns in his more eccentric tendencies for this straightforward domestic thriller. Then again, LaBute, who divides his time between cinema and theater, didn't write the material. The bad vibes begin when Chris (Patrick Wilson) and Lisa Mattson (Kerry Washington) move in next door to widowed cop Abel Turner (Samuel L. Jackson, as nasty as Aaron Eckhart in LaBute's In the Company of Men). A strict father of two, Turner works in a diverse unit (Jay Hernandez plays his partner), but takes less kindly to interracial relationships. From the start, he makes the Mattsons uncomfortable with inappropriate remarks and unwarranted intrusions, like the security light trained on their bedroom, under the guise of self-appointed neighborhood guardian. Initially, Turner's actions exacerbate the tensions between the seemingly happy pair--Lisa wants to start a family, Chris wants to wait--until they realize they'll have to work together to protect themselves from their troubled neighbor. And since he's a member of the LAPD, Turner's colleagues have his back, despite the break-ins and flat tires bedeviling the Mattsons. When they make it clear they intend to stay, Turner takes his harassment campaign to the next level. The A-list cast does what they can, but the B-movie script from Howard Korder and Passenger 57's David Loughery, offers few surprises--at least to those who've seen Fatal Attraction and The Hand That Rocks the Cradle--and LaBute's by-the-books direction lacks its usual bite. --Kathleen C. Fennessy

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Pride and Glory (2008)
dir. Gavin O'Connor

Ahh, more cop drama. Regardless of the cast, the previews made this movie look pretty uninteresting and cliched.

Product Decsription:
Like a forgotten, one-and-only season of a 1980s television show about an Irish-American family of cops, Pride and Glory is full of ambition but lacks the storytelling instinct to realize the goal. Edward Norton stars as Ray Tierney, a New York City police detective whose father, Francis Sr. (Jon Voight), boss of all Manhattan detectives, pressures him into investigating the murder of four officers. Ray's efforts uncover a corruption scandal centered around his brother-in-law, Jimmy (Colin Farrell), a beat cop whose commander happens to be, of course, Ray's brother, Francis Jr. (Noah Emmerich). As Ray pushes forward, Jimmy's self-protective instinct goes savage, and the rest of the Tierney males shift to cover-up mode. Co-writers Joe Carnahan (Narc) and Gavin O'Connor (Miracle), who also directs this film, make a fatal mistake by forcing every element in a long story to further a prefabricated narrative shape, leading to the conclusion they want. But they can't pull it off without awkward transitions and bridges, including the perfunctory inclusion of an intrepid reporter who conveniently breezes in and out of the movie long enough to explain Ray's back story aloud. A monstrous scene involving Farrell holding a steaming iron (prop or not) over a baby's face is inexcusable. --Tom Keogh

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Mary Poppins (45th Anniversary Special Edition) (1964)
dir. Robert Stevenson

Great movie, although I haven't seen it in yeaaaars. Strangely, the 40th anniversary edition DVD was better, see if you can find that one instead.

Product Decsription:
There is only one word that comes close to accurately describing the enchanting Mary Poppins, and that term was coined by the movie itself: supercalifragilisticexpialidocious! Even at 2 hours and 20 minutes, Disney's pioneering mixture of live action and animation (based on the books by P.L. Travers) still holds kids spellbound. Julie Andrews won an Oscar as the world's most magically idealized nanny ("practically perfect in every way," and complete with lighter-than-air umbrella), and Dick Van Dyke is her clownishly charming beau, Bert the chimney sweep. The songs are also terrific, ranging from bright and cheery ("A Spoonful of Sugar") to dark and cheery (the Oscar-winning "Chim Chim Cher-ee") to touchingly melancholy ("Feed the Birds"). Many consider Mary Poppins to be the crowning achievement of Walt Disney's career--and it was the only one of his features to be nominated for a best picture Academy Award until Beauty and the Beast in 1991. --Jim Emerson

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Closing the Ring (2007)
dir. Richard Attenborough

Product Decsription:
From Academy Award-winning director Richard Attenborough (Gandhi) comes this sweeping romance starring Shirley MacLaine (Terms of Endearment), Christopher Plummer (A Beautiful Mind), Mischa Barton (TV's The O.C.), and Neve Campbell (The Company). Moving seemlessly through time, this lush epic follows a beautiful 1940's Michigan girl (Barton) secretly married to a WWII pilot who crashes in the hills near Belfast, Ireland. 50 years later his wedding ring resurfaces -- along with the smoldering secrets that have kept the widow (MacLaine), her estranged daughter (Campbell) and devoted friend (Plummer) each from finding true love.

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The Yellow Rolls Royce (1964)
dir. Anthony Asquith

I've never seen this, but the director should be killed if this movie is bad. Look at that fucking cast.

Product Decsription:
Following THE V.I.P.'S, their film about stars stranded at the airport, director Anthony Asquith and writer Terence Rattigan, turned to this stars-on-the-road vehicle; an unconnected three part romantic drama about the glamorous owners of a classic Rolls-Royce. Lord Frinton (Rex Harrison) originally purchases the car in the 1930s as a gift for his beautiful French wife (Jeanne Moreau) only to discover that she is using it to carry on an affair. He promptly sells the car.
In Genoa, an American gangster, Paolo Maltese (George C. Scott), buys the car to tour Italy with his gum chewing moll, Mae (Shirley MacLaine). A handsome photographer (Alain Delon) pursues Mae from town to town, but she resists until Paolo has business to attend to in America, leaving them alone in the Rolls, which once again acts as an aphrodesiac. When Paolo returns, he gets wise and sells the car.

During the Second World War, American millionairess Gerda Millett (Ingrid Bergman) buys the Rolls, now looking much the worse for wear, in Trieste for a dangerous trip to war torn Yugoslavia. When she meets Davich (Omar Sharif), a dashing young Yougoslav partisan, he compels her to take him with her. While not as weighty as previous Asquith-Rattigan efforts, THE WINSLOW BOY and THE BROWNING VERSION, this continental romp still manages a nice blend of drama and romance.

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Waterloo Bridge (1940)
dir. Mervyn LeRoy

Product Decsription:
Based on the play by Pulitzer Prize-winning playwright Robert E. Sherwood, WATERLOO BRIDGE stars Vivien Leigh as Myra, a shy ballerina whose life is irrevocably altered in war-torn London. It's love at first sight when Myra meets handsome, aristocratic British officer Roy Cronin (Robert Taylor) in the midst of an air raid. The couple soon plans to wed, but Cronin is called to the front, and shortly thereafter a newspaper reports his death. Forced out of ballet school, alone and destitute, Myra turns to prostitution. When she discovers that the newspaper report was inaccurate, Myra is unable to tell Cronin about her professional life, and tragedy ensues. This 10-handkerchief weeper was directed by Mervyn LeRoy. Joseph Ruttenberg's photography is beautiful, as is the inspired soundtrack by Herbert Stothart (THE WIZARD OF OZ), but what makes WATERLOO BRIDGE is Leigh's stunning performance and the very real chemistry between her and Robert Taylor.

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Goodbye, Mr. Chips (1969)
dir. Herbert Ross

I AM A TELEVISION SET! DID YOU HEAR ME?? A T.V.! PETER O'TOOLE.

Product Decsription:
Robert Donat won an Oscar for his portrayal of the humble British don in the 1939 film Goodbye, Mr. Chips--and Peter O'Toole was nominated for his version of the role in this lackluster musical (he, along with Dustin Hoffman and Jon Voight of Midnight Cowboy, lost to John Wayne in True Grit). O'Toole is affecting as the shy English schoolteacher at a private boys' school who is brought out of his shell by the love of a good woman, then goes on to become a teaching legend after her tragic death. But the idea of turning this touching tale into a musical (with totally forgettable songs by John Williams and Leslie Bricusse) was almost as wrong-headed as having O'Toole do his own singing--or as casting singer Petula Clark as his wife. --Marshall Fine

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Roman Polanski: Wanted and Desired (2008)
dir. Marina Zenovich

Product Decsription:
When Polanski’s defense attorney says midway through this film that he "isn’t surprised Polanski left under the circumstances" surrounding this corrupted court case, one really begins to understand why the director has not returned to America in nearly 20 years. Wanted and Desired, Marina Zenovich’s documentary about Polanski’s 1977 arrest for rape of a minor set facts straight about a case that was blown to ridiculous proportions by a sensationalistic press and a judge who was far from judicious. Comprised of interviews with producers and friends Andrew Braunsberg, Daniel Melnick, Mia Farrow, and many others, the film obviously sympathizes with Polanski. But ample interviews with D.A. Roger Gunson and defense attorney, Douglas Dalton, lend factual credence to the film’s assertion that the director was not guilty as charged and further, shows how separate public image and the real person are. Wanted and Desired covers the tragic loss of his wife, Sharon Tate, only to preface the court case and Polanski’s departing the country as a result. Short clips from many of his fine films are interspersed to poignant effect between interview clips, to show how his public image has been wrongly writ based on his films’ dark subject matter. Polanski’s lack of participation in the film, then, seems not like his condemnation of its making, but rather in keeping with his desire to avoid press in general. At best, Wanted and Desired may serve as a further invitation to the brilliant director, who has been living in France for almost 20 years with a wife and two children, to someday return to America. —Trinie Dalton

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The Lucky Ones (2008)
dir. Neil Burger

Product Decsription:
An earnest if not wholly satisfying comedy-drama about an awkward homecoming for three dissimilar Iraq War veterans, The Lucky Ones works best as a vehicle for its interesting lead performances. Tim Robbins transcends his real-life, anti-war reputation by playing Cheever, a Reservist and decent fellow who is injured in Iraq when a porta-potty falls on him. Eager to see his family, he ends up on a road trip with two other soldiers trying to reach their own destinations. There's Colee (Rachel McAdams), a young and earnest woman who enlisted to escape family problems, endured a leg wound and is on her way to meet the family of her boyfriend, who was killed in combat. There's also T.K. (Michael Peña), recruited from a poor family and granted a month's leave after becoming impotent from a wound. The odyssey these characters, initially strangers to each other, share is fairly predictable for anyone who has seen such classic vets-coming-home movies as The Best Years of Our Lives. As Colee, T.K. and Cheever travel together, they encounter what sometimes feels and looks like an alien landscape: people who patronize them, people who despise the war without an inkling of what it's like to endure it, and a host of other exploitative chuckleheads who just don't get it. Inevitably, the trio has only itself to rely upon, to share the knowledge of the war's reality and provide support in ways that are sometimes funny and sometimes poignant. Co-written and directed by Neil Burger (The Illusionist), The Lucky Ones has a rambling structure that causes the film to lose focus. But its heart is in the right place, and Robbins, McAdams and Peña play people one can care about as much as enjoy. --Tom Keogh

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Cannery Row (1982)
dir. David S. Ward

The Amazon review kinda tore this movie a new asshole.

Product Decsription:
This 1982 effort at adapting John Steinbeck's Sweet Thursday and Cannery Row is barely watchable, salvaged only by the thoughtful performances of Nick Nolte as a marine biologist and Debra Winger as a drifter. David S. Ward (Down Periscope) made his directorial debut and thoroughly botched such essentials as pacing and verisimilitude. (The sets look as artificial as any of Francis Ford Coppolla's more egregious contrivances.) If you can stay with it, however, there are plenty of good acting moments to hang your hat on. --Tom Keogh

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Far from the Madding Crowd (1967)
dir. John Schlesinger

For whatever reason, I didn't think Nicolas Roeg was that old, but he was the DP on this movie, as well as several other movies from 1960-1972, including Doctor Zhivago. Dude was born in 1928. Fuck. He's been directing since 1970, and directing exclusively since 1973, though.

Product Decsription:
John Schlesinger's solid adaptation of Thomas Hardy's novel sees three rival suitors vying for the affections of the beautiful Bathsheba Everdene (Julie Christie decked out in a variety of bonnets and frilly dresses), who has just inherited a farm. The men in her life are stout, whiskered yeoman Gabriel Oak (Alan Bates), an impoverished local farmer; neurotic, repressed squire William Boldwood (Peter Finch); and handsome rascal Sgt. Troy (Terence Stamp), who breaks women's hearts for a hobby.
Thanks to cameraman Nicolas Roeg and production designer Richard MacDonald (who also worked for Joseph Losey), 19th-century Dorset looks as pretty and as picturesque as a John Constable reproduction on top of a cookie tin. Not that Schlesinger or screenwriter Frederic Raphael underplays the duress of rural life. We see the hardship of the farm workers' lives as the seasons turn. The film opens with a spectacular sequence in which Gabriel Oak's dog drives his flock of sheep over a cliff, thereby forcing him into penury. Whether hunger or heartbreak, every character here suffers. Bathsheba (like the model Christie plays in Darling) is a free spirit in a society in which women's rights are severely restricted. --Geoffrey Macnab

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Hulk Vs. (2008)
dir. Frank Paur

Looks kinda badass, I have to say.

Product Decsription:
Marvel Animated Features premieres two all new action-packed films together on one release - Hulk vs. Wolverine and Hulk vs.Thor. Hulk vs Wolverine: Alberta, Canada. The Incredible Hulk has been tearing a line across the Canadian countryside, leaving a swath of destruction in his wake. He has to be stopped, and there's only one man up to the job. He's the best there is at what he does, but what he does isn't very nice. He's Wolverine, an elite agent of Canada's top secret Department H, and he's been put on Hulk's trail with a single objective: stop the green goliath...at all costs. Hulk and Wolverine are about to enter the fiercest battle of their lives. Hulk vs. Thor: Asgard, realm of the gods. For ages, Loki the trickster has sought a way to bring defeat to his accursed stepbrother, Thor. But for all the battles Thor has fought, in all the nine realms, only one creature has ever been able to match his strength - a mortal beast of Midgard known as The Incredible Hulk. Now, with Odin, the almighty king of the gods, deep in a regenerative sleep, and the forces protecting Asgard at their weakest, Loki is finally ready to spring his trap. In an epic battle that will pit gods against monsters, that will test a hero's limits more than ever before, only The Mighty Thor can hope to prevail

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The Secret Policeman's Balls (1976-1989)
dir. Roger Graef

Product Decsription:
The Secret Policemans Balls are a legendary series of benefit shows staged to raise funds for Amnesty International. Beginning in 1976, they have featured the cream of Britain s comedians and musicians, and laid the groundwork for high-profile charity events,
including Live Aid. This 3-dvd set collects the five biggest and best Balls, featuring Monty Pythons John Cleese, Michael Palin, Terry Jones, Graham Chapman and Terry Gilliam, Beyond The Fringes Dudley Moore and Peter Cook, Billy Connolly, Rowan Atkinson (Mr. Bean), Jennifer Saunders(Absolutely Fabulous) and Hugh Laurie (House M.D.). In addition to the comics, the shows feature historic unplugged performances by Pete Townshend, Sting, Phil Collins, Bob Geldof, Peter Gabriel, Donovan, Jackson Browne, Lou Reed, Kate Bush and Joan Armatrading. Also featured are rare duets from guitar legends Eric Clapton & Jeff Beck and Mark Knopfler & Chet Atkins.

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42nd Street Forever Vol. 4 (2008)
dir. various

Product Decsription:
Get ready for the fourth volume of classic exploitation, horror and just plain cool trailers in Synapse Films best-selling trailer compilation series. This time we ve got alien horrors, schizoid psychos, ridiculous comedies, vengeful action... and maybe even a naked woman or two... all transferred in high-definition! Chill out in front of your television and relive some of the greatest promotional trailers of all time, including:
THE SYNDICATE: A DEATH IN THE FAMILY,
COMBAT COPS,
IT CAME WITHOUT WARNING,
NO BLADE OF GRASS,
YOR: THE HUNTER FROM THE FUTURE,
SIMON KING OF THE WITCHES,
THE PSYCHIC,
SCHIZOID,
TENDER FLESH,
DIE SISTER, DIE,
SILENT SCREAM,
NEW YEAR S EVIL,
MORTUARY,
HUMONGOUS,
EMBRYO,
THE BOOGEYMAN,
THE LEGEND OF BOGGY CREEK,
THE TOWN THAT DREADED SUNDOWN,
GRAY EAGLE,
SHADOW OF THE HAWK,
RUTUALS,
AMERICATHON,
CAN I DO IT... TIL I NEED GLASSES?,
DIE LAUGHING,
IN GOD WE TRUST,
UNDERCOVERS HERO,
THE JEZEBELS,
FIGHTING MAD,
MOVING VIOLATION,
BONNIE S KIDS,
WALKING TALL PART 2,
THE KLANSMAN,
MONKEY HUSTLE,
THE SOLDIER,
BLACKOUT,
SHOUT AT THE DEVIL,
MARCH OR DIE,
HOG WILD,
THE HARD HEADS,
THE CHICKEN CHRONICLES,
BEST FRIENDS,
OUR WINNING SEASON,
COACH,
GOLDENGIRL
And MORE!

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Sharks in Venice (2008)
dir. Danny Lerner

Want to see this NOW.

Product Decsription:
Traveling to Venice to investigate the mysterious death of his father, David (Stephen Baldwin), a famous archaeologist and diver, unearths a killer secret that lies beneath the Venetian waters. When a ruthless mob boss discovers his findings and kidnaps his girlfriend, David must brave the dangerous, shark-infested waters once again to recover the treasure and rescue his girlfriend. A dark and mysterious chase ensues and secrets are revealed in this sci-fi thriller.

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Getting Lucky (1989)
dir. Michael Paul Girard

When I saw the thumbnail image of the cover, I thought "eh, looks like a generic 80's teen sex comedy type of thing". The I saw the big version and noticed a miniature normally-proportioned man that glows green and apparently wears a Cosby sweater. I don't know WHAT to think. More creeped out than anything.

Product Decsription:
Meet Bill Higgins, the nerdy 'Towel Boy' of Middleville High. All he could wish for is to clean up the environment and score a hot date with cheerleader babe, Krissi Chackler. Standing in his way is muscle-bound, meathead Tony Chanuka. Enter the most unlikely hero- Lepky, a four-inch leprechaun confined to a beer bottle, who can't quite master his micro-super powers. Wacky hijinks ensue as Lepky grants Bill zany wishes which lead to unsuspected transformations and screwy situations on the quest to Getting Lucky!

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